With perfect screenplay, Larencce made the audiences sit tight in the edges of seats all through the second half. Even while shooting the scenes which has sentiment he showed utmost care. The horror scenes were also perfectly shot and are quite interesting. Another major plus point in the film is that the entire first half was devoted to lighter vein orientation with love and entertainment. The second half was totally dedicated to horror base. The film would surely thrill the Telugu audiences as they are not very familiar with horror subjects and there are very few films that came with evil spirit and horror concept. Larencce tried to prove that every person has fear but only some openly reveal it, while some others pretend that they are brave.

Analysis :

On some level Bheema bears a striking resemblance to Maniratnam’s Dalapathy. As director, Lingusamy succeeds in provoking riveting performances from all the actors, but as scriptwriter he’s not as successful in keeping us involved. From the first reel to the last reel Bheema is packed with the sound of gunfire and fisticuffs – the wirework and action scenes are stunning but as the movie winds down, the relentless violence gets to you. The first half is full of incident but the pace slackens in the second half, no thanks to some inappropriate song placement that spoils the fun. Bheema is full of style but little substance. As in all our masala entertainers, logic takes a back seat. A gravity-defying stunt in a shopping mall restroom is close to being preposterous. However, when Bheema is not about gunfire and fisticuffs, Linguswamy handles several scenes deftly. The scene where a very drunk Vikram spoils a birthday party and talks back to the police commissioner is unforgettable for Vikram’s magnificent acting and some well penned dialogues.

TeluguOne Perspective :

Technically, Bheema is brilliant. RD Rajasekhar’s cinematography is a treat for the eyes, especially the Mudhal Mazhai song, which is shot ravishingly. His camera work here is certain to win him laurels. Anthony’s editing is terrific except in a few places where it is not always seamless. The stunts by Kanal Kannan will be a major draw, particularly the fight sequence in the market place where slow motion is used to great effect. Ahmed Khan’s choreography is understated and tasteful. Harris Jeyaraj’s music, of course, is very good. Unfortunately, some of his songs are inappropriately placed in the film, taking away some of the luster. However, “Oru Mugamo” and “Ragasiya Kanavugal” are memorable numbers that are also shot beautifully. For pure lovers of action, Bheema might just be the Pongal movie they are looking for, but those expecting an action movie with a strong story will be disappointed.