Suryam (Vishnu) is very fond of hir mother (Jhansi), who died in a mishap. He grows up having the fond memories of her mother while serving sentence in juvenile jail for a murder he did not commit. His aim in life is to fulfill the last wish of his mother. That is to make sure that his childhood neighbor Swati (Veda) becomes doctor. After getting released from the jail, he continues doing contract works of hurting good people for money in order to sponsor Swati's studies. On one such occasion, he goes to jail on the charges of a car accident case so that Madhu (Celina Jaitley) the real person who committed it could be saved. He charges some money for that. Madhu comes to know about this incident and Suryam's flashback. She falls in love with him and decides to change him for good. Since his responsibility of making Swati a doctor is realized, Suryam wants to become a good man. He starts doing things that help the society. In one such incident, he beats up the father of Madhu (Mukesh Rushi). Madhu's father is popular political leader and local don. The rest of the story is about how Madhu's father reacts after realizing that his daughter is in love with a guy who has beaten him up very badly.

Analysis :

It has neither good story, nor music, not even a good presentation. The only difference from his first film is that Suryam shows Vishnu has improved as a hero – in performances. The basic storyline of the movie is outdated. Added to it, director Samudra’s lean narration makes the life even more boorish. Vishnu has definitely improved as actor and did an good job in all departments. He is very good at action and dance numbers. Celina Jaitley and Veda are just about okay. Mohan Babu’s guest appearance goes unnoticed. Mukesh Rishi is his usual self.

TeluguOne Perspective :

irst half of the film is OK. But the second half is a let down. The plus points of the film are Vishnu's performance and stunt sequences. The minus points of the film are contrived storyline and old-fashioned direction. The director gave more preference to put as many slots as possible for stunts in the film in stead of concentrating on narrating the story. Vishnu's hard work and talent is going futile because he is not choosing the right script and the right director. All he needs now is a good script and a good director. This film opened with good collections. Dialogues by Paruchuri brothers are adequate. The comedy dialogues written by Ghatikachalam are in bad taste. Photography by Jayaram is excellent. Music by Chakri is satisfactory. There are three mass songs in this album - Ososi Nanganasi, Endakalamlo and Aaku Muttadi - that are well received. Endakalamlo is the highlight of the film. The background music by Chakri is pretty loud and annoying in mass scenes. The graphics work and color grading of the film are fine. Production values of the film are of high standard.