Gopanna (Nagarjuna) is a happy-go-lucky guy and marries his childhood love Kamala (Sneha). He secures the job of Tahasildar for Husnabad on the recommendation of his maternal uncles Akkanna and Madanna. He gets inspired by the devotion shown by Dammakka towards Lord Rama and the way she protects the idols of Rama, Seeta and Lakshmana. He becomes a great devotee of Lord Rama over night. He vows that he would stay in open place just like statue of Lord Rama till a temple is constructed. He collects 6 lakhs of coins through donations and constructs Rama temple in Bhadrachalam with the guidance of his guru Kabir Das (ANR). A few ill-minded people misinform emperor Taanisha (Nasseer) that Gopanna misused emperor’s money to construct temple. Meanwhile, Kabir Das confers Gopanna the title of Sri Ramadasu on the insistence of Lord Rama. The rest of the story is all about how Tanisha realizes his mistake and sets Sri Ramadasu free.
Analysis :
Nagarjuna is perhaps the most luckiest hero among his contemporaries for getting such roles like Annamayya and Sri Ramadasu. He did extremely well in the title role. His histrionics in the last reel where ‘Dasaradhi’ song comes are extraordinary. Nobody knows how Sri Ramadasu looks like and whenever we think about Sri Ramadasu in the future, the image of Nagarjuna becomes the visual aid.ANR acted in the vital role of Kabir Das. He brought believability to this character that is considered as guru to Ramadasu. Sneha is fabulous as devoted wife of Ramadasu. Sujatha donned one of the most important roles in this film as Dammakka. She injects devotion into the soul of Gopanna with her deeds. Suman is good as Lord Rama. Nasseer is appropriate in the role of Tanisha. Veda is fair as Seeta. Nagababu is pretty good in the role of Ravana. Among the comedians Sunil and Brahmanandam are impressive.
TeluguOne Perspective :
The first half of the film is decent. The emotional graph starts growing up from ‘Antha Ramamayam’ song and goes to the peak by the film reaches climax. Second half of the film is very good. The plus points of this film are Nagarjuna’s histrionics, Keeravani’s music, K Raghavendra Rao’s direction of JK Bharavi’s script. Sri Ramadasu film comes as fresh breeze when we are bombarded with routine and formula flicks. I recommend this devotional flick to everybody.