DCP Rama Chandra IPS (Venkatesh) is an orphan and a passionate police officer. He does not believe in justice through judicial court, hence eliminates the anti social elements through encounters. He falls in love with a beautiful and tender-looking school teacher Maya (Asin). In one such encounter, he eliminates an Orissa-born gangster Das. Gangster Das's brother Panda (Saleem Baig) pledges to take revenge on Rama Chandra and kidnaps Maya. The rest of the story is all about good wins over evil.

Analysis :

Venkatesh never looked so stylist in the past. He developed masculine body to suit the role of a well-built cop. His costumes in 'Cheliya Cheliya' song are cool. He exhibited appropriate histrionics by underplaying in certain scenes. He changed his body language and mannerisms as well. Story of the film is a routine one. The best thing about Gowtam's direction is stylized shot-making. The director started the film on flashback mode. Screenplay of the film is Ok in the first half, but is placid in the second half. The director failed in getting the emotions and feel (the agony of hero against the wrongdoers) in the right way.

TeluguOne Perspective :

Venkatesh never looked so stylist in the past. He developed masculine body to suit the role of a well-built cop. His costumes in 'Cheliya Cheliya' song are cool. He exhibited appropriate histrionics by underplaying in certain scenes. He changed his body language and mannerisms as well. Story of the film is a routine one. The best thing about Gowtam's direction is stylized shot-making. The director started the film on flashback mode. Screenplay of the film is Ok in the first half, but is placid in the second half. The director failed in getting the emotions and feel (the agony of hero against the wrongdoers) in the right way. The movie introduces various characters in a slow way. The real story of the film starts with the entrance of Panda. The second half starts in an interesting style and it loses the steam as the climax approaches. The plus points of this film are music, Venkatesh, photography and stylish taking. The negative points are slow narration, lack of Telugu commercial elements, dry scenes and lack of substance. This film has got more style and less substance. It is the time for Venkatesh to stop going after remakes of Tamil action films with the directors of other languages and start encouraging Telugu directors. On the box office front, it might have something to offer for A centers audiences, but would find it difficult to sustain in B and C centers.